gibson les paul junior tribute dc review
For that reason, the Junior Doublecut seems destined to find its way onto recordings. Available in a variety of striking colors, The satin finish lends a comfortable feel to the guitar and a quick feel to the neck. Short Scale, Long Tones If you call our customer service department for assistance, this number makes it easier Playing a little toward the neck changes this, while playing more on the bridge gives it point. There’s a hybrid vibe here that mixes a touch of the old and new, and I almost immediately started thinking of studio tracks on which the Les Paul Junior Doublecut could be used. Here’s why: The quality is unbelievable. Holidaze are hear. The neck profile is the best I’ve ever played on a Gibson and the finish/pickguard is great in person — it’s everything a Junior should be and nothing it shouldn’t. Had a chipped nut. I couldn’t have it otherwise. CHRISTMAS, New Years? P-90 front n center most important feature. Also available with one P-90s on the Les Paul Junior Tribute DC. This guitar will make you play better . A temporary customer reference number is assigned to each customer only while they are shopping on Having said that I must mention that the les Paul Custom is a very heavy guitar,however this junior isn't!! Did you. And, if you have a studio, it’s good to have a short-scale bass on the wall. Free 2-Day Shipping. The jury is out on whether or not this increases sustain, but that’s the intent of this design. A mahogany body, maple top and pair of 490 R & T humbucking pickups with Alnico II magnets provide classic tone, power and sustain. I wasn't looking for a new guitar, but I got a SMOKIN' deal through employee discount. There are lots of Gibson Les Paul Jr. guitars here as well, like the 2015 Les Paul Junior Single Cut Electric Guitar and the Gibson LPJ Electric Guitar, so make sure you spend a … Vintage deluxe white button tuners and a compensated wrap-around tailpiece keep things simple and elegant. ... Gibson Les Pauls. The fit & finish is flawless. Introduced in 1954, the Gibson Les Paul Junior was designed as a more affordable alternative for the Les Paul Standard. The best quality electric guitar I’ve owned was a Parker around the same price range. 6 years experience. So I was extremely happy with quality all around but mainly...powerful P-90 front n center. 2 of 2 people (100%) people found this review helpful. The tone control is what tone controls should be: subtle and effective. Based on the classic bass from the '50s, but made for the modern bassist. The bass is rock-solid in its design and assembly, with everything from the neck joint to the frets feeling as they should. His extensive studio and touring credits run the gamut from rock to jazz to country. The Les Paul Junior returns to the classic design that made it relevant, played and loved -- shaping sound across generations and genres of music. The pickup and controls are mounted in an all new pickguard design; a new take on a traditional design. 6 of 9 people (67%) people found this review helpful. To slap and pop is not impossible, but remember that tone thing? Another great Gibson guitar to the stable. Own quite a few & this is the first guitar that i did not have to set up. /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. Following the same singlecut body shape, the Gibson Les Paul Junior has a far more stripped-back design and is distinctive for its single P90 bridge pickup - offering a punchy sound. "My worn ebony vixen. And the shorter scale provides an easy and comfortable range in which to experiment tonally. It pays tribute to Gibson's Golden Era of innovation and brings authenticity back to life. Features a mahogany body with a short-scale maple neck, rosewood fretboard, and BassBucker pickup. Not a loose piece of hardware. Well, with a short scale, guitar players with project studios can feel like real bassists. Available in a variety of striking colors, the satin finishes lend a comfortable feel to the guitar and a quick feel to the neck. The short-scale bass is one of the secret weapons of studio recording. It’s a balls-out rock machine, but also cleans up beautifully. The power of these little basses has become widely known to players and producers alike, and, lucky for us, we are in the middle of a short-scale-bass revolution. Like the Studio, there’s no binding on the neck.